"I'd like to thank the Academy"... cry, sniff,
wipe tear, sigh, breathe, smile, ogle the Oscar, remain speechless, waste time,
ramble, state how unprepared and shocked you are, finally remember the notes
tucked away in your hand, yell at the music to stop, speed through
acknowledgements, then finally be escorted away so we can wash rinse and repeat
for the next award to be announced.
Yep, that's pretty much the formula for every acceptance
speech at the Academy Awards, but I love it! I love the glamor of the whole
night, the hints of that old Hollywood movie magic that today's stars attempt
to portray for a brief evening. No, today's movies are nothing like those of
the past, and many opt to wait for the cheaper Netflix rental to arrive months
after the movie's original release, but you can't deny the excitement and
release from the world you experience when the lights dim in the movie theater
and you throw a piece of popcorn in your mouth as you anticipate being
entertained for a few hours.
And if the hype of Billy Cristal returning as Host for the
Oscars isn't enough to get you excited for Sunday night's show, "Let's Goto the Movies," together and talk about all of the music in this year's
films:
Music (Original Song)
"Man or Muppet" from THE MUPPETS - Music and Lyric
by Bret McKenzie
“Real in Rio” from RIO - Music by Sergio Mendes and
Carlinhos Brown; Lyric by Siedah Garrett
* This is a very talked about category this year as only two
songs were nominated at the Academy Awards, when there were five nominated at
the Golden Globes, and they are completely different from these two. Apparently
there are certain rules and regulations for the Academy Awards that
disqualified the songs distinguished at the Golden Globes from being in
contention at the Oscars. Sorry, Madonna and Elton John, guess we won't get to
see that little feud come to a boiling point after all.
Nevertheless, let's talk about "Man or Muppet" and
"Real in Rio." "Man or Muppet" is the big
character-development ballad from The Muppets. It fits in with the movie's plot
and themes of finding yourself, whomever your self may be, but the appearance
of Jason Segel's alter-muppet-ego and Jim Parsons as the human reflection of
Jason Segel's muppet brother Walter really add that extra umph to the scene.
"Real in Rio" starts the movie Rio, and really
introduces the audience to the life and atmosphere of Carnival in Brazil. The
song, at the part where baby Blu falls from his tree, is abruptly cut off as
the plot begins to take shape, and the vibrant nature of the song is quickly
juxtaposed with the harsh reality and issue of wild bird-napping for profit
that the movie tackles. I was a little shaken by the sudden shift, so I can
only imagine how the kids felt seeing this cartoon. Fortunately, there is a
happy ending, and the song bookends the movie and completes itself to finish
off the story. In the second half of it we get the awesome vocal stylings of
Jesse Eisenberg, who voices the main character, Blu, which we honestly could
have gone without. Come on, 20th Century Fox, Disney always had singing voice
dubs for the speaking actors.
Between these two, I think "Man or Muppet" is
going to win, but I think "Real in Rio" should win, in comparing the
way each song fits with its movie.
Music (Original Score)
The Adventures of Tintin - John Williams
The Artist -
Ludovic Bource
Hugo - Howard Shore
Tinker Tailor Soldier Spy - Alberto Iglesias
War Horse - John Williams
* Since this category deals with the music of an entire
movie, there are obviously no links to it singularly. However, if you have not
seen the movies, when you watch the Oscars you will get a taste of the score as
they read each nominee. This is a no-brainer. Whether you've seen any of these
films or not, it is easy to pick that The Artist is going to win. Not only was
the score of the movie worthy of the win, but the score of the movie was the
movie. As a silent film, the audience is forced to rely on the music to convey
the emotions of the scenes and the characters, and the score of The Artist kept
the audience understanding the film as it went on. Just from the score we were
able to empathize with the characters' joy, sorrow, hope, despair, playfulness,
sarcasm, love, longing, worry, excitement, and a whole roller coaster of other
feelings as well. Ludovic Bource derserves credit for his work on this score,
and he will get it.
That about wraps up the music of the Oscars, so just for fun
here are my picks for the rest of the big categories on Sunday night. (Bold is
who I think will win, italics is who I'm rooting for) What are your
predictions?
Best Picture
The Artist - Thomas Langmann, Producer
The Descendants - Jim Burke, Alexander Payne and Jim Taylor, Producers
Extremely Loud & Incredibly Close - Scott Rudin, Producer
The Help - Brunson Green, Chris Columbus and Michael Barnathan, Producers
Hugo - Graham King and Martin Scorsese, Producers
Midnight in Paris - Letty Aronson and Stephen Tenenbaum, Producers
Moneyball - Michael De Luca, Rachael Horovitz and Brad Pitt, Producers
The Tree of Life - Sarah Green, Bill Pohlad, Dede Gardner and Grant Hill, Producers
War Horse - Steven Spielberg and Kathleen Kennedy, Producers
Actor In a Leading Role
Demián Bichir - A Better Life
George Clooney - The Descendants
Jean Dujardin - The Artist
Gary Oldman - Tinker Tailor Soldier Spy
Brad Pitt - Moneyball
Actress In a Leading Role
Glenn Close - Albert Nobbs
Viola Davis - The Help
Rooney Mara - The Girl with the Dragon Tattoo
Meryl Streep - The Iron Lady
Michelle Williams - My Week With Marilyn
Actor In a Supporting Role
Kenneth Branagh - My Week With Marilyn
Jonah Hill - Moneyball
Nick Nolte - Warrior
Christopher Plummer - Beginners
Max von Sydow - Extremely Loud & Incredibly Close
Actress In a Supporting Role
Bérénice Bejo - The Artist
Jessica Chastain - The Help
Melissa McCarthy - Bridesmaids
Janet McTeer Albert Nobbs
Octavia Spencer - The Help
Animated Feature Film
A Cat in Paris - Alain Gagnol and Jean-Loup Felicioli
Chico & Rita - Fernando Trueba and Javier Mariscal
Kung Fu Panda 2 - Jennifer Yuh Nelson
Puss in Boots - Chris Miller
Rango - Gore Verbinski
Cinematography
The Artist - Guillaume Schiffman
The Girl With The Dragon Tattoo - Jeff Cronenweth
Hugo - Robert Richardson
The Tree of Life - Emmanuel Lubezki
War Horse - Janusz Kaminski
Art Direction
The Artist - Laurence Bennett (Production Design); Robert Gould (Set Decoration)
Harry Potter and the Deathly Hallows Part 2 - Stuart Craig (Production Design); Stephenie McMillan (Set Decoration)
Hugo - Dante Ferretti (Production Design); Francesca Lo Schiavo (Set Decoration)
Midnight in Paris - Anne Seibel (Production Design); Hélène Dubreuil (Set Decoration)
War Horse - Rick Carter (Production Design); Lee Sandales (Set Decoration)
Costume Design
Anonymous - Lisy Christl
The Artist - Mark Bridges
Hugo - Sandy Powell
Jane Eyre - Michael O'Connor
W.E. - Arianne Phillips
Directing
The Artist - Michel Hazanavicius
The Descendants - Alexander Payne
Hugo - Martin Scorsese
Midnight in Paris - Woody Allen
The Tree of Life - Terrence Malick
Film Editing
The Artist - Anne-Sophie Bion and Michel Hazanavicius
The Descendants - Kevin Tent
The Girl with the Dragon Tattoo - Kirk Baxter and Angus Wall
Hugo - Thelma Schoonmaker
Moneyball - Christopher Tellefsen
Foreign Language Film
Belgium, "Bullhead"- Michael R. Roskam, director
Canada, "Monsieur Lazhar" - Philippe Falardeau, director
Iran, "A Separation"- Asghar Farhadi, director
Israel, "Footnote" - Joseph Cedar, director
Poland, "In Darkness" - Agnieszka Holland, director
Makeup
Albert Nobbs - Martial Corneville, Lynn Johnston and Matthew W. Mungle
Harry Potter and the Deathly Hallows Part 2 - Nick Dudman, Amanda Knight and Lisa Tomblin
The Iron Lady - Mark Coulier and J. Roy Helland
Sound Editing
Drive- Lon Bender and Victor Ray Ennis
The Girl with the Dragon Tattoo - Ren Klyce
Hugo - Philip Stockton and Eugene Gearty
Transformers: Dark of the Moon - Ethan Van der Ryn and Erik Aadahl
War Horse - Richard Hymns and Gary Rydstrom
Sound Mixing
The Girl with the Dragon Tattoo- David Parker, Michael Semanick, Ren Klyce and Bo Persson
Hugo - Tom Fleischman and John Midgley
Moneyball - Deb Adair, Ron Bochar, David Giammarco and Ed Novick
Transformers: Dark of the Moon - Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin
War Horse - Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson
Visual Effects
Harry Potter and the Deathly Hallows Part 2 - Tim Burke, David Vickery, Greg Butler and John Richardson
Hugo - Rob Legato, Joss Williams, Ben Grossmann and Alex Henning
Real Steel - Erik Nash, John Rosengrant, Dan Taylor and Swen Gillberg
Rise of the Planet of the Apes - Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett
Transformers: Dark of the Moon - Scott Farrar, Scott Benza, Matthew Butler and John Frazier.
Writing (Adapted Screenplay)
The Descendants - Screenplay by Alexander Payne and Nat Faxon & Jim Rash
Hugo - Screenplay by John Logan
The Ides of March - Screenplay by George Clooney & Grant Heslov and Beau Willimon
Moneyball - Screenplay by Steven Zaillian and Aaron Sorkin. Story by Stan Chervin
Tinker Tailor Soldier Spy - Screenplay by Bridget O'Connor & Peter Straughan
Writing (Original Screenplay)
The Artist - Written by Michel Hazanavicius
Bridesmaids - Written by Annie Mumolo & Kristen Wiig
Margin Call - Written by J.C. Chandor
Midnight in Paris - Written by Woody Allen
A Separation - Written by Asghar Farhadi
No comments:
Post a Comment